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Interview with author Niki Burnham

9 Comments

1. I noticed in both Shot Through the Heart and Last Stand that you write the POV from a teen male perspective quite well. What kind of studying or research did you have to do in order to catch the way teen boys think?

When I was a teen, I spent a lot of time hanging out with guys. It gave me a good sense of their perspective on everything from school events to relationships. 

Though technology has changed since then and affected the day-to-day lives of teens in many ways, the emotions teens experience haven’t changed. Incorporating those core emotions into the male POV whenever possible is the key to making a character true to life–far more than using of-the-moment slang or dropping the latest piece of technology into a character’s hands.

That being said, I still spend a great deal of time around teens. I coach baseball and softball, and I opt to sit behind teens whenever I’m at sporting events or the movies.

I listen to what they’re saying and how they’re saying it, and I watch their body language. Having all that in mind as I write helps me keep characters believable, whether they’re male or female.

2. It’s clear that this is a book that’ll be a winner with teens. Tell us a little about Shot Through the Heart.

Thanks, Sonya! Shot Through the Heart is a meld of several ideas I’ve had floating around in my head. First, I’ve always wanted to write a romance where the main characters have known each other forever.

What happens when friends fall for each other? Is it always a good thing? Second, I’m intrigued by the idea of taboo relationships–for instance, dating your best friend’s sibling or a friend’s ex. What makes those relationships either succeed or fail?

Then, when I read about a local high school’s longstanding, unofficial water gun tournament–which is a very big deal and a point of senior pride–I discovered I had a great framework within which to explore those relationships and have a lot of fun with them.

3. What led you to write YA and what is it about the genre that appeals to you?

Teenagers are at a point in their lives when they’re discovering who they are and what they truly want. They’re given a certain amount of responsibility and control over their lives, but not as much as they’d often like.

At the same time, they’re learning about love, often with unpredictable results. Writing about all those experiences is fun for me. There’s a lot of conflict to explore.

4. As an award winning writer and the author of multiple YA novels, you obviously know what it takes to write for the teen market. What do you think are the most important features needed in a YA novel?

First and foremost, never talk or write down to teens. Teenagers are as savvy as any adult reader. Second, no matter who your target audience may be, creating believable characters with believable emotions is what will engage readers. Strive for emotional truth in each scene and each story you write and readers will want more.

5. Many authors mention struggling with an inner critic. Has this ever been your struggle and if so, how did you overcome it?

An inner critic is a wonderful thing when you’re editing your manuscript; it’s not so great when you’re initially getting words down on paper. When faced with a blank page, I tell myself, “This is a first draft. Write whatever. You can always fix it later.”

Every few chapters, I go back and edit so my inner critic is satisfied.  Then when I finish a story, I set the manuscript aside and take a few days to clean my desk, answer e-mail, and tackle non-writing tasks.

It helps me clear my head and look at the manuscript with fresh eyes. At that point, I let my inner critic go to town.

6. What was your best/worst day as a writer?

My best day was when I sold my first book. I’d met the editor previously and knew in my gut that we’d work well together, so I was thrilled when she called and said she wanted the book. Turned out I was right and we work very well together.

I’ve had several “worst” days as a writer. However, the beauty of this career is that when things go south–an editor retires, a contract isn’t what you’d expected, books get lost en route to an event, etc.–there’s no death knell sounding.

As long as I don’t quit, I’m still in the game. That’s not true in other professions, which means my “worst” days aren’t all that bad.

7. What do you use from your teenage self in your novels? Experiences etc.

I prefer not to use specific situations, though there is a locker room scene involving flying underwear in Scary Beautiful that actually happened to a friend of mine (so if anyone read that scene and wondered if it’s possible, the horrifying answer is yes.)

8. What are your future hopes for your writing career?

I want to keep writing, period. As long as I can physically sit at a computer and readers enjoy my books enough to keep buying them, I’ll be here.

That being said, I constantly try to improve myself as a writer. I listen to writing workshops on my iPod while I walk the dog, I read everything I can, and I stay in touch with other writers. I also work hard to keep myself in shape. The healthier I am, the better my brain works, and the better writer I am.

9. What is it that you wish people knew about your life as a writer?

It’s not an easy career. It takes old-fashioned hard work. The most hilarious question I get from readers (and I’ve had this question multiple times!) is, “When are they going to make another of your books?”

I want to explain that there is no “they” and that a book isn’t something one can “make” in the same sense you’d build a bike.

Instead, I respond by saying that I’m writing as fast as I can and that I’m grateful they’ve enjoyed my stories enough to want another.

You can read more about Niki on her website at http://www.nikiburnham.com/

Filed Under: Author Interviews, Writing

Comments

  1. Amanda says

    January 17, 2012 at 12:18 pm

    This sounds like a great book! I’ll order a copy from Amazon. How did you sell your first book? It’s really hard to get an agent now much less sell.

    Reply
  2. Kelly says

    January 17, 2012 at 12:25 pm

    You said never talk down to teens. That’s one of the things my critique partner said to me-that I spoke like an adult. Yet, when I changed it, someone else said I was speaking down!

    Reply
    • Niki Burnham says

      January 17, 2012 at 7:07 pm

      I think the key is to make sure your teenagers sound like real teenagers, rather than characters created for the purpose of lecturing your readers or demonstrating a “life lesson.” There are many who think that if a book is marketed to teens it needs to teach them something–a lesson, a moral, etc. I write to entertain. If a reader–adult OR teen–learns something along the way because they identify with a particular character or situation, hey, great. But I don’t think that’s different than any other book, movie, or TV show. Make sense? Write for your audience, not TO your audience.

      Reply
  3. RG Anderson says

    January 17, 2012 at 12:27 pm

    You’re right. Writing is not an easy career and one I’ve thought about giving up on multiple times.

    Reply
  4. Niki Burnham says

    January 17, 2012 at 12:32 pm

    I sold my first book to Silhouette Romance (now part of Harlequin Romance.) They accept unagented submissions, so I submitted to them without an agent. I am a member of RWA and learned a ton of information from various workshops, the magazine, etc., and that helped me know what to expect during the submission process and what to expect in the contract.

    After my second book with Silhouette, I did get an agent, as I needed one for my young adult books.

    That being said…if you really want to write, go for it! It may be a long, hard process, but if you find it personally rewarding, then it’s worthwhile.

    Reply
  5. PJ Sharon says

    January 17, 2012 at 4:03 pm

    Great advice, Nikki. The book looks great. Love the cover. I find that writing male characters is in many ways easier than females. Boys are much less complicated for one thing. They have real feelings and emotional journeys that are as difficult as girls but they don’t get caught up in the drama so much. They are much more pragmatic and primally driven, which for me is easier to fathom than the depths of an emotional teenage girl.

    I’d love to tackle a YA book from the male perspective since all three of my books so far have been from the females POV. When I was writing Savage Cinderella, I actually wrote it in third person so I could have chapters from the male POV. Since it is somewhat of a YA romantic suspense, I also wanted the villain’s POV, so it worked well.

    Thanks for sharing your tips.

    Reply
  6. TeacherWriter Suzanne Lilly says

    January 18, 2012 at 8:16 am

    Fantastic interview, Sonya and Niki! I definitely want to pick up a copy of Shot Through the Heart now. And flying underwear? It gives me shivers down my spine just thinking about the poor girl who had to endure that!

    Reply
  7. Olivia says

    January 19, 2012 at 2:25 pm

    Did you ever start out writing in one genre and then switch? I want to write in several genres but some people tell me to pick a genre and stick with it. I like what you said about the inner critic. Mine is really mean!

    Reply
    • Niki Burnham says

      January 19, 2012 at 8:20 pm

      I started out writing Silhouette Romance, then moved to writing YA books. I do think it’s wisest at first to start in one genre and build an audience there. Then, once you’ve written several books and have a good fix on how fast you actually write (as opposed to how fast you COULD write, but don’t when real life intrudes), and you find you write fast enough to put out at least one book a year in multiple genres, then you’re probably fine doing writing more than one type of book. Christina Dodd and Gena Showalter are good examples of writers who do this. They put out books in each of their genres at least once a year, which is frequently enough to keep readers engaged.

      Reply

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